Tillana is a kriti in its format. However, it is distinctive in its content. The pallavi and anupallavi have mridanga jatis in them, instead of usual sahityam. Charana has sahitya, which is in praise of God. The concluding part, i.e., Charana Anubandha is composed with jatis and swara alternatively. The kaivAra prabandha is a variety of the prabhandha that … Continue reading Tillana