TIME PERIOD | IMPORTANT CREATIONS | AUTHORS | NOTES |
2nd AD | NatyaSastra | Bharata Muni | Treatise on Dance and music (references to Tala, musical modes & forms) |
2nd AD | Dattilam | Dattila Muni | |
5th AD | Brihaddesi | Matanga Muni | Early compilation of Ragas, then known as Jaatis |
7th – 9th AD | Makaranda | Narada Muni | |
12th – 13th AD | Sangeeta Samayasara | Parsvadeva | |
1210 – 1247 AD | Ratnakara | Sarangadeva | Desi system of music was explained in detail. The 22-sruti concept was born. · Distinction between Marga and Desi given. |
1550 AD | Swaramela Kalanidhi | Ramamatya | Explanation of the word Mela, Vina techniques and other musical concepts. |
1609 AD | Vibodha | Somanatha | It has 470 verses in 3 chapters. Each chapter is called a viveka. This work is of very high standard and order. It serves as a reference source and foundation for North Indian music. |
1660 AD | Parijata | Ahobala | |
17th AD (approx) | Chaturdandi Prakasika | Venkatamakhi | Evolution of modern music theory. · Development of 72-mela system |
17th-18th AD | Sangraha Choodamani | Govindachary | Development of musical forms like Varnams. · Musical treatise with the 72- melakarta scheme along with names written. |
1728 – 1736 | Sāramrutam | Tulajaji | |
19th AD | Sangita Sampradaya Pradarshini | Subbarama Dikshitar | It contains Lakshyagitas, Lakshanagitas, Sancharigitas, Swarajathis, Jathiswaras, Tana varnas, Pada varnas, Kritis, etc. and life sketches of 75 composers and Ragalakshana slokas. |
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